The copyright protections that we normally associate with print also govern the use of audio, video, images, and text on the Internet and the World Wide Web (WWW). The intuitive interface of the WWW makes it easy for the computer user to copy and use images, text, video and other graphics that are likely to be protected by copyright. A document may be copyrighted even if it does not explicitly state that it is copyrighted. As a result, it is a good idea to assume materials such as documents, images, or video clips are copyrighted. Educators can avoid copyright violations and legally use copyrighted materials if they understand and comply with the fair use guidelines. If you believe, after you review this document, that your proposed use does not comply with fair use guidelines, you always have the option to ask for permission from the copyright holder.

This document's purpose is to help faculty, students and staff make informed decisions before using materials in the classroom, for course reserves, or the Internet or World Wide Web. This document provides:

1. An introduction to copyright.
2. An introduction to fair use.
3. Fair Use Guidelines for Educational Multimedia, a review of guidelines designed to help faculty, staff, or students comply with fair use guidelines when using images, computer programs, or other materials obtained via the Internet or WWW
4. A sample letter to use to request permission to use copyrighted materials.
   
   

1. Introduction to Copyright
   • What is Copyright?
   • What Can be Copyrighted?
   • What Cannot be Copyrighted?
   • What does Copyright Protect?
2. Introduction to Fair Use
   • What is Fair Use?
   • What are the Rules for Fair Use for Instructors?
   • What Can be Copied?
   • What Should Be Avoided?
   • When is Permission Required?
   • How Do I Get Permission?
   • Copyright and Electronic Publishing
   • Tips for the Internet
3. The Educational Multimedia Guidelines
   • Definitions
   • Student Guidelines
   • Faculty Guidelines
   • Time Restrictions
   • Types of media and Permissible Amounts
   • When Should You Get Permission?
   • How Do I Get Permission?

• Fixation:
  • The item must be fixed in some way. The fixation may be just about anything. For example, a piece of paper, a computer disk, a audiotape, or a videotape are all legitimate forms of fixation.
• Originality:
  • The work must be original. Originality includes a novel or a student's e-mail message to a professor. Both are considered examples of original expression.
  • It is not necessary for the work to be completely original. Works may be combined, adapted, or transformed in new ways that would make them eligible for copyright protection.
• Minimal Creativity:
  • The work must include something that is above and beyond the original. Verbatim use is not considered original. Reference to the original work that is used to discuss a new concept would be considered original, however.
  • Creativity need only be extremely slight for the work to be eligible for protection.

• Works in the public domain:
  • Ideas are in the public domain.
  • Facts are in the public domain.
  • Words, names, slogans, or other short phrases also cannot be copyrighted. However, slogans, for example, can be protected by trademark law.
  • Blank forms.
  • Government works, which include:
    • Judicial opinions.
    • Public ordinances.
    • Administrative rulings.
  • Works created by federal government employees as part of their official responsibility.
  • Works for which copyright wasn't obtained or copyright has expired (extremely rare!).

It is a common misperception that state employees and contractors performing work on behalf of the federal government cannot copyright their work. Unless it is explicitly stated in the contract between the government and a contractor, federal government contractors are permitted to copyright their works as can state employees.

• The right to make copies of the work.
• The right to sell or otherwise distribute copies of the work.
• The right to prepare new works based on the protected work.
• The right to perform the protected work (such as a stage play or painting) in public.

• Is the new work merely a copy of the original? If it is simply a copy, it is not as likely to be considered fair use.
• Does the new work offer something above and beyond the original? Does it transform the original work in some way? If the work is altered significantly, used for another purpose, appeals to a different audience, it more likely to be considered fair use.
• Is the use of the copyrighted work for nonprofit or educational purposes? The use of copyrighted works for nonprofit or educational purposes is more likely to be considered fair use.

The nature of the copyrighted work:

• Is the copyrighted work a published or unpublished works? Unpublished works are less likely to be considered fair use.
• Is the copyrighted work out of print? If it is, it is more likely to be considered fair use.
• Is the work factual or artistic? The more a work tends toward artistic expression, the less likely it will be considered fair use.

The amount and substantiality of the portion used:

• The more you use, the less likely it will be considered fair use.
• Does the amount you use exceed a reasonable expectation? If it approaches 50 percent of the entire work, it is likely to be considered an unfair use of the copyrighted work.
• Is the particular portion used likely to adversely affect the author's economic gain? If you use the "heart" or "essence" of a work, it is less likely your use will be considered fair.

The effect of use on the potential market for the copyrighted work:

• The more the new work differs from the original, the less likely it will be considered an infringement.
• Does the work appeal to the same audience as the original? If the answer is yes, it will likely be considered an infringement.
• Does the new work contain anything original? If it does, it is more likely the use of the copyrighted material will be seen as fair use.

• Brevity refers to how much of the work you can copy.
• Spontaneity refers to how many times you can copy.

  According to the rule, the need to copy should occur closely in time to the need to use the copies. I call this the "one semester rule." If you use something for one semester it is likely to be seen as fair use. If you use something repeatedly, it's less likely to be considered fair use. The expectation is that you will obtain permission as soon as it is feasible. Using something over a period of years is not within the spirit of the guidelines.

Special works:

• "Works that combine language and illustrations and which are intended sometimes for children and at other times for a general audience." A child's book is an example.
• Special works should never be copied in their entirety.
• An excerpt of no more than two pages or 10 percent, whichever is less, is the rule for special works.

The use of the copies should be for one course at one school.

The copies should include a notice of copyright acknowledging the author of the work.

NOTE: It is recommended that teachers, faculty, or instructors consider both the special guidelines for instructor and take into account the four factors that are used to evaluate fair use when they are deciding what and how much of a copyrighted work to use.

• A chapter from a book (never the entire book).
• An article from a periodical or newspaper.
• A short story, essay, or poem. One work is the norm whether it comes from an individual work or an anthology.
• A chart, graph, diagram, drawing, cartoon or picture from a book, periodical, or newspaper.
• Poetry
  • Multiple copies of a poem of 250 words or less that exist on two pages or less or 250 words from a longer poem.
• Prose
  • Multiple copies of an article, story or essay that are 2,500 words or less or excerpts up to 1,000 words or 10 percent of the total work, whichever is less.
• Illustrations
  • Multiple copies of a chart, graph, diagram, drawing, cartoon, or picture contained in a book or periodical issue.

• Making multiple copies of different works that could substitute for the purchase of books, publisher's reprints, or periodicals.
• Copying the same works from semester to semester.
• Copying the same material for several different courses at the same or different institutions.
• Copying more than nine separate times in a single semester.

When is Permission Required?

• When you intend to use the materials for commercial purposes.
• When you want to use the materials repeatedly.
• When you want to use a work in its entirety and it is longer than 2,500 words.

How Do I Get Permission?

• The Office of Library Services will assist you in obtaining permission for copyright protected materials for use in UMUC classes. Fill out a Web-based form to request that the library obtain copyright permission for specific material on your behalf.
• For materials to be used outside of UMUC courses, you must obtain permission yourself. If you would like to request permission yourself, we have a sample letter you may use as a guide.

Copyright and Electronic Publishing

• The same copyright protections exist for the author of a work regardless of whether the work is in a database, CD-ROM, bulletin board, or on the Internet.
• If you make a copy from an electronic source, such as the Internet or WWW, for your personal use, it is likely to be seen as fair use. However, if you make a copy and put it on your personal WWW site, it less likely to be considered fair use.
• The Internet IS NOT the public domain. There are both uncopyrighted and copyrighted materials available. Assume a work is copyrighted.

• Always credit the source of your information
• Find out if the author of a work (e.g., video, audio, graphic, icon) provides information on how to use his or her work. If explicit guidelines exist, follow them.
• Whenever feasible, ask the owner of the copyright for permission. Keep a copy of your request for permission and the permission received.

• The guidelines are intended to apply to educational multimedia projects that incorporate educators' original material, such as course notes or commentary, together with various copyrighted media formats, including motion media, music, text material, and graphics illustrations.
• The guidelines are voluntary and do not have the force of law.
• If you follow the guidelines, it is highly likely that your use is fair use.
• The guidelines are safe minimums.
• The newly created work that includes copyrighted material may only be used for learning activities. Other uses, such as selling the work commercially, require permission.

• Students may incorporate portions of copyrighted materials when producing a project for a specific course.
• Students may perform and display their own projects and use them in their portfolio or use the project for job interviews or as supporting materials for application to graduate school.

• Faculty may include portions of copyrighted works when producing their own multimedia project for their teaching in support of curriculum-based instructional activities at educational institutions.
• Faculty may use their project for:
  • assignments for student self-study
  • for remote instruction provided the network is secure and is designed to prevent unlawful copying
  • for conferences, presentations, or workshops
  • for their professional portfolio

• The fair use of copyrighted material in multimedia projects lasts for two years only. After two years, obtain permission before using the project again.

• Motion media:
  • Up to 10 percent of the total or three minutes, whichever is less.
• Text material:
  • Up to 10 percent of the total or 1,000 words, whichever is less.
  • An entire poem of less than 250 words may be used, but no more than three poems by one poet or five poems by different authors in an anthology. For poems exceeding 250 words, 250 words should be used but no more than three excerpts from one poet or five excerpts from different poets in the same work
• Music, lyrics, and music video:
  • up to 10 percent of the work but no more than 30 seconds of the music or lyrics from an individual musical work.
• Illustrations or photographs:
  • no more than five images from one artist or photographer.
  • no more than 10% or 15 images, whichever is less, from a collection.
• Numerical data sets:
  • up to 10 percent or 2,500 fields or cell entries, whichever is less, from a copyrighted database or data table.
• Copying of a multimedia project:
  • no more than two copies may be made of a project.

When Should You Get Permission?

• When you intend to use the project for commercial or noneducational purposes.
• When you intend to duplicate the project beyond the two copies allowed by the guidelines.
• When you plan to distribute the project beyond the scope of the guidelines.

© 1996-2005 Internet Fraud Investigations United Kingdom